![]() The Neumann U-67 is a better success story, just about every voice (male or female) sounds great singing into it. For the kind of money Telefunken charges, their 47 should sound great on everything placed before it. It's a real crap shoot, but the misses outnumber the hits. The Tele 47 has been a bit of a disappointment in that it is very picky about the voices it likes on some voices it sounds spectacular, on others it can be edgy. The FET47, being solid state, sounds slightly smaller and has a less rich tone than it's tube brethren. We have the Neumann FET47 reissue, the Tele U-47 and the Neumann U-67 reissue. Whether it is financial costs, or inspiration, or a mix of both - follow your heart and you'll be fine. What is most important are the performances the mics inspire. That aspect has been significantly less important to me, personally. Some here rightfully focus on function vs. Heiserman has earned a shot before I pull that trigger. Now, I don't disrespect Telefunken USA high-end clones in any sense - and a matched pair of their ELA M251E mics will remain on my purchase list until I see/hear what Heiserman comes up with there. Most definitely high-end sound!īefore looking at Heiserman, I was leaning toward FLEA. I am so deeply impressed and in love with the mic that I've ordered a second one just like it. I finally settled on the new Heiserman H47Tube with both of their head baskets - that is, with both HK47 & HM7 capsules - some months back. But so many of the authentic U47s and clones just seemed all over the map to my ears. TIA for any insight here!As a musician/composer, I've been putting a kit together for the past very few years.Ĭhoosing a 47-ish mic was a real struggle for me - I usually have a much better sense of what I want. Does anyone know how Neumann's U47 FET compares to Telefunken's tube condenser U47 in sound, character and vibe? It looks like she recorded with a Telefunken U47. I really like the vocal sound on Taylor Swift's evermore. In search of a high-end vocal mic for some pop/alt/singer-songwriter material. I picked a used one up for half that price a couple years ago. Now is it worth $10k? I am with jensenmann on it being overpriced. Greg Wells uses one, as does Dweezil Zappa and a host of other people like John Mayer etc. I shot out 5 U47 clones and this came closest to an original at Vintage King. So no, it's not an original but it's as close as any clone has come. The originals had all these same features. Its matte nickel finished body houses a new BV8 output transformer and a newly developed VF14k vacuum tube a "plug and play" replacement for the rare VF14M tubes found in the original." They have nothing to do with the original german Telefunken company other than that they pay royalties to the Telefunken Holding (the last remaining part of the original Telefunken group) who owns the brand name.Telefunken Elektroakustik is using the original schematic with, and I quote from their site ![]() They are made by a company which bought the brand name Telefunken so that people think they are buying original Telefunken mics which they are not. The currently available Telefunken Elektroakustik mics are clones. ![]()
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